Archive for the ‘Film’ Category

First Look Episode 202: Only the Pizza Man Knows

BYU Broadcasting is showcasing student films from Brigham Young University in their new series First Look. In this series, before viewing the film the student filmmakers are given an opportunity to discuss (briefly) some thoughts on the making of their films.

Episode 202

I was first given the chance to view Only the Pizza Man Knows at the 2007 LDS Film Festival and was so taken by it’s honesty and candor that I highlighted it in my article in the BYU Studies issue Mormons and Film (which I highly recommend perusing if you haven’t yet). Scott Chrisopherson said this project was difficult for him due to its personal nature, and this was truly a very personal venture not only for the film maker but also the whole of his family. I have related the feeling and sense of connection one takes away from the film similar to that of a personal essay. And as Gideon and David addressed earlier, (and as I will do in a future post), Creative Non-fiction is a tailor-made genre for Latter-day Saints. This film helps to show that the same elements are also tailor-made for film. Christopherson was able to come to terms with issues he had with his parents and his own life in a way he said he not been able to previous. It was the medium of film that gave him license to ask question he hadn’t had enough courage to ask before and the strength to honestly look at the answers in a way he hadn’t before either.

Next to the very human story, Christopherson also proves himself as talented film maker. The mixing of styles and lighting, interviews and narratives all give the film a very polished and even melodic feel. The editing was also carefully crafted. This was a film that took guts, time, and skill to create, and it was created well. Thanks, Scott for making it – please make more!

Kudos to BYU Broadcasting for going out on a limb to honor student filmmakers and BYU’s film instructors. Great things are happening on campus in regards to film, and this is a wonderful medium to enhance the careers of those who are the future of Mormon Film.

Mormon Renaissance at Mormon Times

This week the Mormon Times section of the Deseret News included recommendations of several blogs discussing LDS film on its Bloggernacle beat. Reporter Emily W. Jensen referred to Karen Lee’s recent analysis of MormonWebTV here on Mormon Renaissance, to Trevor Banks’ blog on LDS Cinema, and to various blogs and posts from students of my Mormons and Film class at BYU. I’m glad some good conversations are getting going!

Mormon YouTube in the Making: MormonWebTV (Karen Lee)

Evangelical Christians have GodTube, will Mormons have their own video sharing space on the Internet, too? Perhaps they already do: MormonWebTV.com. Over the last couple of years the site has accumulated close to 400 videos. Since we try to keep track of all Mormon movies within the Mormon Literature & Creative Arts database, we’ve recently turned our attention to the evolving genre of Internet-distributed Mormon films. MormonWebTV is not the only outlet for LDS videos online. For example, Dean Duncan’s series on everyday Mormons (Fit for the Kingdom series) is available for free online. Also, LDSFilms2Go is an inexpensive commercial site for downloading full-length LDS films. Another recent addition is CTR movies (a site promoting an LDS-sponsored film festival in Mesa, Arizona, now in its second year). But none of these sites has what YouTube does: the chance to post amateur videos, making MormonWebTV the current contender for hosting the growth of amateur LDS film. Given the growth of user-generated content and the enthusiasm shown by LDS filmmakers at the increasingly popular LDS Film Festival, it would be more surprising for a Mormon version of YouTube not to come into being. Enter MormonWebTV.com
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High Expectations for Mormon Filmmakers: Robert Starling

After BYU’s Daily Universe published an article on Mormon film last week a lively discussion ensued on the ldsfilm email list. Robert Starling has allowed me to post his comments on Mormon Renaissance. As he explains, he’s been thinking about the dawning of a brighter day for Mormon film and media for a long time.

As in any genre, we can find both good and bad among LDS-oriented films. Let’s just hope that the genre survives long enough so that the “refiner’s fire” of the “great critics” and paying audiences will reward the best and weed out the rest. We as a people and a culture have many great stories that we need to tell in movies. Go back and read our Prophet Spencer W. Kimball’s talk (Given initially at BYU) on his vision of the arts. It still inspires me every time I read it: Read the rest of this entry »

Perfecting the MLCA and Other Resources for Mormon Studies

My last post about the Mormon Literature & Creative Arts database generated some great suggestions for its improvement, and I thought I would respond by describing where we are at and how we see the MLCA feeding into a larger project of supporting Mormon Studies.

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Association for Mormon Letters 2008 annual conference

This year’s Association for Mormon Letters annual conference was at BYU on Saturday, March 8. The theme of the conference was “Literature as Scripture and Literature in the Scriptures,” and there were some great presentations. I would have to say my favorite was Harlow Clark’s discussion of depictions of the Atonement in LDS literature. The number of sources he pulled from and the connections he made were fabulous. I had a difficult time keeping up. In the same session, previous to Harlow’s comments, David Hulet talked about “Creating Mormon Narrative,” and Harlow’s discussion showed how Mormon writers have done just that, which made me think of the ongoing discussion we’ve had at Mormon Renaissance about a Mormon aesthetic and how our own particular doctrines and history contribute to that aesthetic. One example Harlow gave as a distinct Mormon doctrine was that, while other Christians tend to believe that God is the one necessary being and all other beings are contingent on God’s existence, Mormons believe that men and women are co-eternal with God. Harlow then went on to describe how this shows up in Mormon writing (I regret that I was so engrossed in his discussion that I didn’t write down the examples he gave).

Along with some lovely sessions, the AML Awards luncheon was pretty great. Next to the reception in the evening after the conference, the luncheon is my favorite part (other than the sessions). Where else can you find a gathering of the most influential and involved people in Mormon letters? This year’s luncheon was highlighted by Eric Samuelsen’s presidential address. It was not only deeply profound, it was riotously funny. Eric first spent considerable breath scathingly condemning the concept of mission statements. He’s never relished the idea of writing a mission statement for AML, but at the same time, he recognizes a need to discuss why exactly AML aims to promote Mormon letters. While he never got around to actually writing a specific mission statement, his address characterized the need for inclusiveness in Mormon literature. He said, “It takes courage to write even a bad book, courage and determination and invention. Even writers who aren’t very skilled do something astonishingly revelatory. We can even see the face of God in bad novels.” He then went on to explain that in the Mormon literature community, we need everyone. We can’t dismiss writers (and their readerships) that we don’t like, though we can read them critically and discuss what about them works and what doesn’t work quite as well. It was an inspiring speech, and I highly recommend reading it. I also recommend perusing the list of Mormon authors who won awards this year (thank you, Patricia Karamesines, for posting the winners). Among the winners were Coke Newell for On the Road to Heaven (novel), AnnDee Ellis for This is What I Did (YA novel), and Carol Lynn Pearson for “Facing East” (drama). Segullah and the BYU Studies special “Mormons and Film” issue both won special awards.

As mentioned, one of the loveliest parts of the AML conference–and the one that’s least attended–is the reception at Charlotte England’s (widow of Eugene England) home. The England home is a delightful red brick house North of the BYU campus that, with its exotic furniture, original Brian Kershisnik and James C. Christensen paintings, and numerous overflowing bookshelves (many of which house works by Mormon authors), provides an elegant and cozy atmosphere conducive to mingling and discussion. Many of the AML Award winners (as well as other LDS writers who attended) read from their works: Carol Cornwall Madsen introduced us to some of Emmeline B. Wells’ more radical feminist writings in An Advocate for Women: The Public Life of Emmeline B. Wells, Todd Petersen entertained us with the exploits of the small-town central-Utah natives in his novel Rift, Harold K. Moon brought to life the trials of a plural wife being forced to relocate to Mexico with her husband in The Leah Shadow, and Michael Collings read from of the earthy, LDS-themed poems in his Elementals. Other readers included the editors of Segullah and winners of the Irreantum short fiction contest.

The AML conference, I have to say, provided much food for thought. I gained some insights about Mormon letters that I hope to be posting about over the next couple of weeks. I encourage others to share their experiences at the AML conference. For another overview of the conference, see Darlene Young’s (AML secretary) discussion at her blog.

Review of the 7th Annual LDS Film Festival

With the conclusion of the Seventh Annual LDS Film Festival at the SCERA Center in Orem, Utah, the talents of LDS Filmmakers have once again been proven in a wide variety of lengths and genres—from short animated films to an inspirational sports feature, from documentaries to suspense-thrillers. The festival included eleven feature films, two short film programs totaling 27 films, a screening of the 24 Hour Filmmaking Marathon, 12 presentations by prominent LDS filmmakers, a script writing workshop, and an academic component, the LDS Film Forum. At 6,500 attendees, nearly two thousand more came to the festival than in 2007, due in part to packed houses for well-received feature films such as Ryan Little’s Forever Strong and much applauded documentaries about drug addiction in Utah (Happy Valley) and about Black Mormons (Nobody Knows). Christian Vuissa, the founder of the festival, told the sold-out opening night audience that more were present than attended all events combined at the earliest festival. Read the rest of this entry »

Why a Database for Mormon Literature & Arts

The scriptures speak of those “kept from the truth because they know not where to find it” (D&C 123:12), and I believe as much can be said about Mormon works of literature and art as about LDS doctrine. Most people are very ignorant of what has been done. But unlike LDS doctrine, there is no canonized body of literary or artistic works that bear a divine imprint. How is it, then, that people get their ideas of the nature or quality of LDS artistic works? Well, I think they draw their conclusions based on what is visible to them commercially and what is discussed socially. So, for most Mormons, “Mormon literature” probably equates in their minds to the genres that have been most popular through LDS retailers in recent years: 1) historical fiction (Gerald Lund, Ron Carter, etc.); 2) Young Adult fiction (Jack Weyland, Dean Hughes, etc.), and 3) LDS Romance fiction (Anita Stansfield, Rachel Nunes, etc.). Each of these is an important genre deserving attention, but there is so much more! This is one reason we created the Mormon Literature & Creative Arts database years ago. We wanted there to be a place where, as much as possible, Read the rest of this entry »